Thank you Very Much for your post, Typhoon.Typhoon wrote:This reminds me of the section in Satre's great novel Troubled Sleep of the Parisian queer enthralled by the uniforms of occupying Nazis and their physiques. To him, nothing else mattered.Zack Morris wrote:This discussion reminds me of a great article: High Fascism.
The article discusses the infamous Galliano incident and concludes:During the Occupation, the Nazis and their French allies recognized the power and national prestige of the French fashion industry and sought to harness it. When the collaborationist Vichy government took over direction of the French lifestyle magazine Paris Soir, it announced in its pages a “summer of couture ... and shopping.” The Nazis were so enamored with fashion’s place in French culture that in their plans for postwar Europe, they stipulated that, unlike other industries, the fashion sector would remain in France.
Many in fashion were eager to play along. Lucien Lelong, a designer who supported Vichy and whose house stayed open during the war, saw couture as a political force: “Our role is to give France the face of serenity. The more elegant Frenchwomen are, the more our country will show the world that we are not afraid.”
French fashion publications advocated a deep connection between the cultural splendor of couture and Frenchwomen’s national, even genetic identity.
“Every woman in Paris is a living propaganda poster, the universal function of the Frenchwoman is to remain chic,” wrote one fashion journalist in the early 1940s. “Frenchwomen are the repositories of chic, because this inheritance is inscribed in their race,” wrote another. And as Vichy continued to toe the Nazi line about Aryan physical fitness, more French fashion magazines began focusing on exercise and diet for women.
Although not everyone in the world of French fashion fell in line with fascist ideas, it’s no coincidence that many did. After all, there are deep and unsettling parallels between the industry, particularly in Europe, and fascism’s antidemocratic aesthetic.
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At the root of the whole system is the most elusive myth of all: the impossible promise that fashion can vanquish physical inadequacy and aging, conferring the beauty and youth we see on the runways and on every page of Vogue — a cult of physical perfection very much at home in the history of fascism.
The link is clear: like a fascist demagogue of yore, he was declaring that she did not belong to the gilded group who wear the right boots, and from this Mr. Galliano slid effortlessly to a condemnation of her very flesh, and a wish for her death.
Perhaps these were Satre's observations, in fictional form, on "High Fascism".
IIRC someone here or before said "There is a fetish for everything" ............
IIRC Post It notes , aprons, Anne Miller uniforms, balloons, Nekomimi, plush toys .......... may be some of the milder ones....